URM Academy Collection2


选段59P
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1Advanced Plugin Chains Intro
2 A Word on Visions and Decisions
3 The Process
4 EQ Overview
5 Clinical Vs Color
6 Parallel EQ
7 EQ Demo at the Master Stage
8 Compression Overview
9 Compression Pre Vs Post EQ
10 Parallel Compression
11 Compressor Demo at the Master Stage
12 Gates and DeBleeding Overview
13 Understanding a DeBleeder
14 Controlling Sustain With Gates
15 Getting Tighter bass with Subharmonic Synt
16 De-essing and Micro Multiband Frequency Dy
17 Where to Place De-Essing
18 Understanding Soothe
19 Dialing Soothe
20 Where to put Tape Saturation
21 Clipping and Brickwall Limiters Overview
22 Clipping in the Multitrack
23 Clipping as a Mastering Tool
24 Closing Thoughts
Post Production Effects Intro
2 Understanding and Creating Bass Drops
3 Explosions and Booms
4 Snare Bombs
5 Sub Drop on Toms
6 Reverse Cymbals and Sweeps
7 Big Reverbed Drums
8 Lofi Drums
9 Creating Energy and Movement
10 Reverse Reverb on Vocals
12 Vocal Effect Throws
13 Vocal Glitching
14 Guitar Glitching
15 Guitar Filter Sweeps
16 Guitar Pitch Downs
17 Master Pitch Effects
18 Master Verb Hold Out
19 Master Bitcrush
20 Case Study 1
21 Case Study 2
22 Putting It All Together - Live Post Demo
23 Outro
1 Rock Drum Production Intro
2 Scenario 1 Introduction
3 Scenario 1 Goals and Challenges
4 Scenario 1 Mic Breakdown
5 Scenario 1 Setting Levels
6 Scenario 1 Tracking
7 Scenario 1 Mixing
8 Scenario 2 Introduction
9 Scenario 2 Goals and Challenges
10 Scenario 2 Mic Breakdown
11 Scenario 2 Levels
12 Scenario 2 Tracking
13 Scenario 2 Mixing + Closing Thoughts

1Advanced Plugin Chains Intro
2 A Word on Visions and Decisions
3 The Process
4 EQ Overview
5 Clinical Vs Color
6 Parallel EQ
7 EQ Demo at the Master Stage
8 Compression Overview
9 Compression Pre Vs Post EQ
10 Parallel Compression
11 Compressor Demo at the Master Stage
12 Gates and DeBleeding Overview
13 Understanding a DeBleeder
14 Controlling Sustain With Gates
15 Getting Tighter bass with Subharmonic Synt
16 De-essing and Micro Multiband Frequency Dy
17 Where to Place De-Essing
18 Understanding Soothe
19 Dialing Soothe
20 Where to put Tape Saturation
21 Clipping and Brickwall Limiters Overview
22 Clipping in the Multitrack
23 Clipping as a Mastering Tool
24 Closing Thoughts
Post Production Effects Intro
2 Understanding and Creating Bass Drops
3 Explosions and Booms
4 Snare Bombs
5 Sub Drop on Toms
6 Reverse Cymbals and Sweeps
7 Big Reverbed Drums
8 Lofi Drums
9 Creating Energy and Movement
10 Reverse Reverb on Vocals
12 Vocal Effect Throws
13 Vocal Glitching
14 Guitar Glitching
15 Guitar Filter Sweeps
16 Guitar Pitch Downs
17 Master Pitch Effects
18 Master Verb Hold Out
19 Master Bitcrush
20 Case Study 1
21 Case Study 2
22 Putting It All Together - Live Post Demo
23 Outro
1 Rock Drum Production Intro
2 Scenario 1 Introduction
3 Scenario 1 Goals and Challenges
4 Scenario 1 Mic Breakdown
5 Scenario 1 Setting Levels
6 Scenario 1 Tracking
7 Scenario 1 Mixing
8 Scenario 2 Introduction
9 Scenario 2 Goals and Challenges
10 Scenario 2 Mic Breakdown
11 Scenario 2 Levels
12 Scenario 2 Tracking
13 Scenario 2 Mixing + Closing Thoughts